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YAMAHA
STRINGS
SS-30
RACK-MOUNTED WITH MIDI
MIDI STRINGS

Tuesday, July 17, 2018

Rear Panel Ordered

Much to report, but I'm way behind on my posts. The rear panel design is done and, in a couple of weeks I will have it back from Schaeffer. I decided on a black anodized 3mm panel with white printing for the legends. Let's see how it turns out.

The Schaeffer panel is actually a sub-panel that I will bolt onto the panel that came with the case. The original panel is formed perfectly to fit the back of the enclosure and has a lip to hold in the top cover. I will cut a hole in it for the components to fit through and drill holes for machine screws.

The main driver for doing it this way was that I wouldn't have to drill perfect holes for all the components and then worry about how to label them. Also, it will be a lot smarter to have the labels printed and I can add a bit of logo. This will also let me see how good he UV print is with plain white on the anodized black aluminium. If it's really good I could go back to the idea of using that for the front-panel. 

First I laid it out in Front Panel Designer, paying careful attention to the data sheets for all of the connectors. I entered legends for each connector as a placeholder and they were marked as do not produce.



I then created a print layer in Inkscape.
Print layer from Inkscape - orange is the background, not the base colour
Next, this was imported into FPD.

Front Panel Designer view with the print layer added
The design was checked against the layout for the back panel. Most significantly, the stack of G boards is too close to the back panel to allow room for any connectors behind it.




 Hence I have to work around that. 

Full Rear-panel layout with the FDP render imported and nuts etc added - the area reserved for G boards marked in green

Everything fits, so here's a 3D render from FPD.

3D render from FPD
And now the order has been placed.
I will wait for it to arrive before cutting the main panel and wiring things up.

The G boards are already screwed into the baseboard but I will wait till the rear panel is done before fixing the others.

Sunday, July 15, 2018

Power Move

 The unglamourous part of the project is the power supply.

For the past four years the power supply unit (PSU) has been housed in a plastic case, which used to carry car jump leads.


In fact, it's hosted the PSU and the rear-panel connectors through the development and testing phase of the project. But now that time is over and I need to move the PSU to a new home and rewire the rear-panel connections.

Power Struggle

There is no room left in the rack enclosure for the PSU so the plan has always been for a separate case for the PSU.

PSU Requirements


Ventilation  - It gets warm.
Main PCB - 110mm x 110mm
Transformer - 74x66x73mm (WxDxH)
Minimum internal dimensions - 120x200x80mm

Power switch accessible on front panel.


Power On Through

One problem with having a PSU that is tucked away out of reach is that turning the power on and off could be annoying. I thought of several solutions to this, but the one I like best is to have the power switch on the front panel of the SS30-M and loop the live wire through from the PSU for switching.

To do this I need a live wire out from the PSU into the SS-30M then onto a switch before returning back to the PSU. Most important here is that the connector out of the PSU is safe. No live pins. Also, I don't want there to be any doubt that this is not a normal mains inlet. It will short out a normal supply so using a domestic main connector is a no-no. After looking around a bit I decided to use Neutrik PowerCon connectors. You get different designs for input and output and they are safe. I found knock-off cheaper copies from China too.
PowerCon connectors from eBay



I got these and made up the cable.


This is the drawing of the panel connector
Drawing+NAC3MPA-1-WOT.pdf

 Mains Event

The next step was supposed to be a choice of PSU enclosure. Instead, after a bit of research, I decided to make another temporary case. I was heading towards making or designing and having made, a bespoke enclosure and that would have taken too long. Too long in the sense that it would have delayed the making of the SS30-M. I was also keen to re-house the PSU in the final configuration so I could see if there were any issues and prepare the way for a better case later on.
I looked around my garage and found a three-bottle, wooden wine case which was an ideal temporary solution.

Rjoca, if you must know
The nice thing about this box, as well as being wooden and thus easy to work and the right size, is that it has a hinged lid, with a catch. This makes it easy to open and close, but one disadvantage is that the wood is fairly thick, which makes it hard to mount some of the components and connectors. 
 I decided to reuse the original back panel again but this time with only the power connectors. That meant a bit more vandalism of the original SS-30.

Original SS-30 rear-panel marked up for cutting and components unscrewed

Main panel side of temporary PSU no.2 under construction

Finished mans panel with original switch and lamp.
On the other side of the box, I had to create a panel to mount the Cliffcon Miniature ZC connector. Again I looked around the garage and found a nice strip or thin, polished metal (originally something to do with a kitchen unit I think) which was cut down and drilled.

Power Output side of the temp PSU no.2

Power Output with cable connected
Once the connector mounting was done it was onwards to wiring it up. The power regulator PCB has a connector header and obviously i wanted to reuse that, which meant the wires from the actual synth had to be cut at last.


And I had to decide which wires go to which pins.


And I decided to do a good job, with heat-shrink and everything.


When all is ready, I throw this switch

Whilst I'm still working on the rest of the main enclosure I don't want the front-panel mains power switch in there. Hence I've made a temporary switch box and that's the PSU temporary PSU no.2 all done!






Burly Chassis

 The  following is just some notes on a PSU case.

e.g. http://uk.farnell.com/multicomp/mb4/box-abs-black/dp/301279 
but that has no ventilation,

Or in metal
http://uk.farnell.com/multicomp/mc001134/enclosure-ip65-aluminium-alloy/dp/2544965
also no vent

Options:

1. Standard electronics project case - e.g. Hammond http://www.hammondmfg.com/pdf/1454P.pdf
2. Aluminium amplifier case  - e.g https://diyaudiostore.com/collections/chassis but other options on eBay from China
3. 19" rack case - 3U - Too much
4. laser cut enclosure in wood/perspex

The laser cut option wins because:
  • Exact sizing is a given
  • Can cut in ventilation slots
  • Cheap
  • Can cut in exact holes for connectors etc.
  • Can etch in legends and logo

Here's an online tool to deisgn a case ready for laser cutting.
http://www.makercase.com/

"MakerCase lets users create cases with flat edges or interlocking edges using finger joints or t-slots for retaining nuts and bolts. "

This is the kind of plan you get.



This site shows how the nuts are held into the t-slot and then it all fits together. http://store.curiousinventor.com/blog/how-to-make-cheap-lasercut-custom-boxes-for-your-diy-electronics/

It seems a bit shonky though. You have nuts protruding as well.
This is another one done with wood and perspex http://www.instructables.com/id/AutoCAD-to-Trotec-Laser-I-Made-It-at-TechShop/

I'm really not sure about having metal nuts all over the sides of the case when there's no way to earth them. There's mains inside and I'd like it to stay there.

For Inkscape this guy has a plug-in

http://www.instructables.com/id/The-Ultimate-Guide-to-Laser-cut-Box-Generators/


Finger joints will create a basic shape, but I would still need some way of holding it together without, again, ending up with lots of exposed metal on the outside.
Gluing three pieces into a U shape and the other three into another U reduces the need for lots of bolts. All the connectors and switches etc would have to go on either side of one U so the other could be removed without un-wiring anything. Holes can be cut to allow bolts to through to right-angle brackets which are then fitted into nuts.

Friday, July 06, 2018

Connections & Controls

I decided to write down a simple list of all the front-panel, rear-panel and power supply unit controls and connections.

This post will be draft until the SS-30M is complete. I might still chnage my mind about a few things!

All items function as on the original SS-30, unless marked as follows:
* New feature - not found on SS-30
** Modified feature - enhancement to SS-30 functionality (e.g. switch is now variable)
*** Supplemental feature - Not required on SS-30 (e.g. external PSU connections)

Front-panel

  1. Pitch
  2. Detune
  3. Pitch CV Input*
  4. Vibrato Delay
  5. Vibrato Depth
  6. Cello 1 Level**
  7. Cello 2 Level**
  8. Cello Attack
  9. Cello Sustain
  10. Cello Brilliance
  11. Keyboard Split
  12. Viola Level**
  13. Violin 1 Level**
  14. Violin 2 Level**
  15. Violin Attack
  16. Violin Sustain
  17. Violin Brilliance
  18. Orchestra Speed**
  19. Orchestra Feedback*
  20. Cello Orchestra Mix**
  21. Violin Orchestra Mix**
  22. Orchestra External Signal Input*
  23. Volume
  24. Power Switch

Rear-panel


  1. Main Output
  2. Cello Output*
  3. Violin Output*
  4. Foot Control. Volume
  5. Foot Switch. Sustain
  6.  MIDI In*
  7. MIDI Thru*
  8. MIDI Expression Output*
  9. Mains Power Switch Loop***
  10. Power Input

PSU 

  1. Mains Input
  2. Pilot Lamp
  3. Fuse Holder
  4. Main Voltage Selector
  5. Mains Power Switch Loop***